SANTA CLARA — The 49ers will have a tough time topping Sunday’s sensational win over the New Orleans Saints. They’re still playing high-stakes football, and fans are still abuzz, so let’s open up the Week 15 mailbag via Instagram and Twitter replies:Was that the best regular-season game you have ever covered? (@brandon.pride)Absolutely. It started with the best first half I’ve witnessed – four touchdowns apiece! – and the dramatics never stopped. I started covering the 49ers in 2000, and the …
“The majority of Qantas customers will pay the same or less in fees than they do under the current system, and there’ll continue to be low-fee and fee-free options for customers who prefer not to pay with a credit card.” However, the new percentage fee structure means that people buying more expensive fares, such as international business class journeys and longer domestic trips, will pay more – in some cases substantially more.Qantas says its low-cost subsidiary Jetstar will announce its new credit and debit card fee structure “soon” – well in advance of the September 1 deadline laid down by the Reserve Bank of Australia in May.The Virgin Australia group, which includes low-cost carrier Tigerair, hasn’t yet announced its response to the new RBA rules, but it is expected to closely mirror the Qantas fees. Budget travellers appear to have had a small win, with Qantas becoming the first Australian airline to lower credit and debit card fees for ticket purchases, following the Australian government’s banning of credit card fee profiteering in February 2016.Qantas says a new percentage-based card payment fee will replace a flat fee of $A7 per booking from September 1 this year. The fee for payments made with a credit card, including Visa, MasterCard, American Express and Diners, will be 1.3 per cent, while the fee for payment using debit cards will be just 0.6 per cent. Qantas says that, for an average domestic return fare of $400, the credit card fee will be $5.20, compared with the current flat fee of $7. For an average international return fare of $2000, the fee will be $26, compared with the current flat fee of $30. The current debit card fees to be replaced by a 0.6 per cent charge are $10 for international travel and $2.50 for domestic fares. The airline says fees will be capped at $11 for domestic and trans-Tasman fares and $70 for international fares. “This gives passengers certainty about the maximum they’ll pay before they start booking and is in line with Qantas’ consistent position that it doesn’t profit from card payment fees,” Qantas says in a statement.
23 May 2011South Africa’s Deputy President Kgalema Motlanthe is a huge Tottenham Hotspur fan. Last Wednesday, the club presented him with a copy of the Tottenham Hotspur Opus ahead of its participation in the 2011 Vodacom Challenge in July.The presentation took place at the historic Liliesleaf Farm, a hideout of African National Congress (ANC) activists in the 1960s, where many of the organisation’s leaders were arrested in 1963.Bafana Bafana defender Bongani Khumalo, who joined Spurs from SuperSport United in January, took part in the handover, as did Club Ambassador, former England international Gary Mabbutt.Tottenham executive director Donna Cullen presented the Opus to the Deputy President, who has been a fan of the club since it first visited South Africa way back in 1963.‘This is a gift of a lifetime’He told the Tottenham Hotspur website about his love for Spurs and thanked them for their gift. “This is a gift of a lifetime,” said Motlanthe. “I really feel honoured to receive this Spurs Opus on a special day for us in South Africa when we are having local government elections.“When that great Spurs team came to SA, under the captaincy of Danny Blanchflower and managed by Bill Nicholson, it just left a lasting impression on me,” Motlanthe said.“There were great players there like Jimmy Greaves, Cliff Jones and Dave Mackay, and they are legends, and since then I have always followed Spurs through the different managers and different generations, and I think the current generation come very close to emulating that ’60s generation.”The OpusThe Spurs Opus charts the club’s full history and includes exclusive interviews, photoshoots and features, plus a rich array of rare and previously unpublished archive photos.Only 1 000 copies of the Spurs Opus have been published. Each book measures over half-a-metre square and weighs over 30 kilograms.Spurs has a solid presence in South Africa. It operates a joint academy with SuperSport United and is involved in several charity and community-based initiatives.Since 2007 the club has announced three separate partnerships with SuperSport United, the PSL champions from 2008 to 2010, children’s orphan charity SOS Children’s Villages, and South African specialist bank and asset manager Investec.Tottenham Hotspur HouseThree years ago the club officially opened the doors to the Tottenham Hotspur House in the SOS Children’s Village in Rustenburg. The house, which is funded using money from player fines, is now home to a family of children all in full-time education.Members of the current First Team also sponsor orphans in the village as part of the club’s work with the charity. In July last year Michael Dawson met 12-year-old Aubrey, the orphan he sponsors at the village in Rustenburg, and experienced firsthand the impact of the club’s relationship with SOS Children’s Villages.Spurs’ joint academy with SuperSport United has produced a successful coach and player exchange programme with academy players visiting the UK for training and tournaments.Khumalo to SpursAfter impressing in the Fifa World Cup in South Africa last year, Bongani Khumalo, Supersport United’s captain, joined Tottenham in January.Previously, in July 2010, Investec became Spurs’ first ever cup shirt sponsor. The South African company’s name and logo features on the club’s playing shirts in all cup competition matches including European club competitions, FA Cup and League Cup.South Africa has also become an important destination for the Tottenham Hotspur Foundation. For the last two years, the Foundation and teachers from Haringey Council’s Children and Young People’s Service have embarked on an educational exchange trip to South Africa working in partnership with both SuperSport United and SOS Children.Tottenham in 2011Heading into the final weekend of the English Premier League, Spurs are in fifth place. Should they beat relegation-threatened Birmingham at White Hart Lane on Sunday, they will secure a place in the Europa League next season.Playing in the Champions League this season, Tottenham topped Group A, ahead of defending champions Inter Milan after qualifying for the group stage by beating Swiss side Youngs Boys in a playoff.In the round of 16, Spurs ousted newly crowned Italian champions AC Milan 1-0 on aggregate after scoring a shock 1-0 victory in Milan.They exited the competition in the quarterfinals at the hands of Real Madrid.Tottenham Hotspur and SAinfo reporterWould you like to use this article in your publication or on your website? See: Using SAinfo material
Create your video edit in Adobe Premiere Pro. Then import your project into After Effects for finishing – add effects, color correction, and motion tracking.There are several ways to manage your Premiere Pro to After Effects workflow. One way is to take advantage of Adobe’s Dynamic Link, with the ability to jump btween the two applications for video editing and compositing/motion design (for more info on Dynamic Link check out my previous post here).Another useful post production workflow is to complete your video edit in Premiere Pro and then move your entire project into After Effects. Unlike using Dynamic Link (jumping between applications), importing your entire Premiere Pro project into After Effects tends to be a one way operation.Quick note: For Editors working with FCP or Media Composer who want to finish in After Effects, you can do so by using Adobe’s Pro Import (which was added in CS6). Pro Import was previously Automatic Ducks’s Pro Import but Wes Plate & Harry Plate have now partnered with Adobe.When to Use Import instead of Dynamic LinkThere are several instances when you may want to import a Premiere Pro project into After Effects (as opposed to using Dynamic Link). Some editors may prefer to finish in After Effects because they have third party plugins (transitions/effects) that work in After Effects and not Premiere Pro. In other instances an editor may be handing the project/media to a motion designer. Lastly, it may be preferential to use import because there can be issues reconnecting with Dynamic Link depending on your workflow.For those using Dynamic Link, check out this post from Digital Rebellion troubleshooting a Dynamic Link workflow.The Import ProcessWhen you import your project from Premiere Pro to After Effects, you have all the original layers live.In After Effects go to File > Import > Premiere Pro Project.A dialog box opens, where you have the choice to bring in all the sequences, select a sequence and whether or not you want to import audio.Click OK, and a folder with the referenced media and composition appear in the project. Note, Premiere sequences become compositions in After Effects.Double click on the composition to see the timeline with all your layers from Premiere Pro.Aside from all of your media, markers also come over from Premiere Pro – which is huge. Markers are useful for spotting audio, noting where to add transitions/effects and for notes from a client session. You could also use markers if you wanted to make notes for a motion designer that you were handing the project off to.You can also use speech analysis in Premiere Pro to mark specific words and then that data flows through to After Effects, which is illustrated in the image below.Click for larger view:The Output ProcessOnce you’ve completed working with your Premiere Pro project in After Effects, you can either output using the Render Queue or Adobe Media Encoder. For high quality renders I would suggest you use the Render Queue. For video going to the web or DVD it’s better to use Adobe Media Encoder (H.264 and MPEG-2 codecs are superior in AME). As well, Adobe Media Encoder has Vimeo & YouTube Presets to choose from.To add to the Render Queue – With the Composition selected in the Project, go to Composition > Add to Render Queue. You will need to set your “Render Settings”, your “Output Module” and your “Output To” in the Render Que and then click “Render”. For more specifics on how to do this check out this Adobe Help document.Click for larger view:For more information on Adobe Media Encoder check out my tutorial here or the Adobe Help link.Are you utilizing a full Adobe post production workflow?Share your thoughts or advice in the comments below!